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A marksman living in exile is coaxed back into action after learning of a plot to kill the president. Ultimately double-crossed and framed for the attempt, he goes on the run to track the real killer and find out who exactly set him up, and why??
When a group of elite online gamers each receive a mysterious invitation to trial a state-of-the-art virtual reality video game, it’s a dream come true and impossible to resist. Arriving at the test site, the group step into hi-tech gear and prepare for a revolutionary, next-level gaming experience that brings modern warfare to life with frightening realism. At first it’s a unique and exhilarating experience. But what starts out like a dream encounter with cutting edge technology quickly takes a turn for the sinister. Once the group are attacked by enemy combatants, they soon realize this is no game after all. Make a mistake here and you pay with your life. Now these masters of the shoot ‘em up will have to fight for survival within a game gone bad, but this time it’s for real.
The sun is setting and we see Dave, an artist, at the Laundromat. Fretting over his wife’s ticking clock, Dave happens upon Ruby, a tempestuous beauty on the run with a mean-looking baby on her arm while toting a gun. Thus begins a series of capers that revolve around the helpless, yet, testy baby, a strapping town sheriff, a gun-loving bounty hunter and a snitching clown. All are involved in an ever-twisting plot in a quest for ownership of the baby Lloyd. The all night journey ultimately provides all characters their unsought solutions towards the lives they’ve been wanting.
After a massive shootout, a mysterious stranger (Van Damme) arrives at a local hospital on the brink of death. Then, a foreign gang brazenly comes to the hospital to hunt him down. His nurse, the sole surviving witness to the follow-up shootout, must face an FBI interrogation that unlocks a plot of international intrigue and revenge. With enough twists and turns, KILL’EM ALL will keep you guessing until the final bullet is fired.
Two powerful, yet deeply troubled women — refugees from political and personal trauma — flee a past that haunts them. The daughter of a murdered Black Panther revolutionary, Tess, (Hamilton) lives off the grid on a Sonoma vineyard, fiercely detached from all connections. Her hermetic life cracks when she gives reluctant shelter to a desperate young woman, Anna (Rabe) who has attempted suicide in a nearby forest. An unlikely alliance forms between the two, where other close relationships have failed — David, Anna’s husband, (Linklater) and John, Tess’ employer (Weber), cannot break through their walls. But the very difference between the two women opens them up to a new vision of themselves, as not only survivors, but as heroes capable even of a thrilling shoot-out in the name of outlaw justice. Reclaiming freedom, and life, they plunge forward, towards an unknown, transformative horizon.
Vastly different lives and perspectives become intertwined after a police officer suffering from reoccurring PTSD mistakenly shoots a deaf African-American kid, exposing layers of racial tension and corruption within the political, judicial and prison system.
At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for “a crash course in manhood,” a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months. Academy Awa
Ex-gangster Charlie Thompson returns to London after the tragic death of his young nephew Danny which he believes to have been caused by the same callous hands that killed his brother George many years ago. Taking the law into his own hands Charlie meets up with former acquaintances ready to settle old scores and save his last remaining nephew Frankie the last of the Thompson bloodline. However, Charlie has been out the game for a while and he soon realizes that a lot has changed.
Through emotional first-hand accounts and never-before-seen archival footage, immerses viewers inside the largest mass shooting in our countryandapos;s history. A story of survival at what was supposed to be a festival celebrating countr…
Former P.O.W. Jack Calgrove moves Heaven and Earth to be reunited with his children following the Civil War. After returning home, Jack discovers that his wife has tragically died and his children, presumed to be orphans, are heading deep into the West on a train crossing enemy lines, with the intent of being placed into new homes. Calgrove and another soldier team up with a troop of Native American sharpshooters and a freed slave as they try to stop the train.
On a hiking trip to rekindle their marriage, a couple find themselves fleeing for their lives in the unforgiving wilderness from an unknown shooter.
The Block NZ is the first local version of an international hit renovation-reality series in which four couples compete to renovate four dilapidated houses in a very upmarket suburb – room by room, week by week, challenge by challenge – and sell them at auction for the highest price.
The teams can be couples, family members, or friends, and do not need any DIY experience. Once selected, the contestants live and breathe their DIY project for the nine week shoot, living on site in The Block NZ houses. There are no further eliminations, and the winning couple is decided by the toughest judge of all, the real estate market!
All four renovated houses go to a live TV auction, with The Block NZ crown going to the couple whose house fetches the highest price on the night!. All the couples receive profits from the sale of their house at the televised auction, and the winners will take home an additional cash prize of $80,000.
Sneaking out. Hooking up. Melting down. The cast and crew of a blockbuster action franchise attempt to shoot a sequel while quarantining at a posh hotel.
Special Ops sniper Brandon Beckett is set up as the primary suspect for the murder of a foreign dignitary on the eve of signing a high-profile trade agreement with the United States. Narrowly escaping death, Beckett realizes that there may be a dark operative working within the government, and partners with the only person whom he can trust: his father, legendary sniper Sgt. Thomas Beckett. Both Becketts are on the run from the CIA, Russian mercenaries and Lady Death, a Yakuza-trained assassin with sniper skills that rival both legendary sharpshooters.
Harry and Willie are scammed into buying the Thomas Edison studio lot by a man named Gorman. They decide to follow Gorman’s trail to Hollywood where, unbeknownst to them, he has taken the identity of a foreign film director. The lads wind up as stunt doubles in film the which Gorman is now shooting, while the conman tries to have the bungling pair done away with before they realize who he really is.
After barely surviving a furious shootout with the police, Baby Firefly, Otis Driftwood and Captain Spaulding are behind bars. But pure evil cannot be contained. Teaming up with Otis’ half-brother Wilson, the demented Firefly clan escape to unleash a whole new wave of murder, madness and mayhem.
From the land of early Peter Jackson comes another Braindead movie in bad taste. It’s the third day of shooting the low budget horror ‘Tonight They Come’ on location in the wilds of New Zealand. Director SMP is already beside himself having to work with a self-obsessed leading man and a bimbo actress when into his line of fire comes a new runner, wannabe screenwriter Wesley Pennington. Clearly an accident-prone nerd, Wesley nevertheless tries his best to fit in with the crazed cast and demented crew while falling head over heels for Susan, the set caterer. But something nasty has entered the local water supply and suddenly the zombie extras start acting like genuine members of the living dead, gore stunts looks even more authentic and actual severed limbs fly. Reel life turns real as Wesley attempts to save the day while ensuring his latest script will get made.
Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.
Vincent, a former air rifle champion lives a quiet life with his wife and his daughter. Despite his happy family life he ends up with economic problems. One day at the shooting range he meets the mysterious Renaud who promises him a solution to his problems by offering him an unusual job. Suddenly Vincent finds himself in a very dangerous spiral which turns out to be even harder to get out of than finding a solution to his economic problems.
John Rotit is a happy, content man with a loving wife. Hours later, he’s a rock star shooting up heroin. And after that…he’s something far more sinister. John unwillingly flashes between three parallel lives in which he knowingly exists in each. He has no clue how or why this phenomenon is occurring, only that he wants it to stop. John’s judgment becomes clouded as he’ll do anything he can to end his flashes and remain in the one life where he’s truly happy.
When a group of young people camping in the ruins of a medieval Turkish town play a party game called ‘Murder in the Dark’, they soon discover that someone is taking the game too far…Produced in an experimental shooting style, this murder-mystery features a cast of actors who were not allowed to see the script. The actors’ choices interactively changed the shape of the story. They had to use clues to solve the mystery laid out before them by the filmmakers.
A homeless man wanders the lands in search of revenge for the murder of his son at the hands of an unknown gang. Upon arriving in a new town he finds himself trapped in a city drowning in chaos, its people firmly in the grasp of a ruthless crime boss peddling the mind-bending drug, “El Ultimo Aire.” This man is a legend, a hit man, the killer of killers and the people call him “Toro Loco.” He fights punks, crack-heads and tough guys with his trademark shooter, a Smith & Wesson 34-1, but you take that away from him and it doesn’t matter. Toro Loco has another deadly weapon: his hands! Toro Loco is here and the first to die are the fucking lucky ones!
As young and recently single parents, Clara and Alex have two completely different styles of parenting. While helicopter mom Clara hovers over her son Oliver, Alex’s daughter Emma feels out of touch with her father’s life. Their two worlds collide when Alex proposes that his marketing company shoot a commercial at the kids’ school and Clara, up for election as the parent group president, objects the idea. The commercial is Alex’s last hope for keeping the company afloat, so in a moment of desperation, he nominates himself for parent group president. In a surprising turn of events, Clara and Alex tie for president and must work together to run the group until the mandated re-vote. The bitter rivals struggle for power, outfoxing each other any chance they get, until the matter of raising their children puts things into perspective. Clara and Alex come to a mutual understanding and even ignite a spark of romance.
Two best friends make the best of going to high school by dreaming up fashion magazine photo shoots, and bribing their siblings to model for them. René indulges all his fantasies and loves designing clothes. Frankie lives for her camera and punk rock. They both fall for Sasha, the shy soccer player with a soft spot for poems by Pushkin. When the three of them are caught between competing invitations to prom, their high-fashion drama could destroy their friendships along with the entire prom.
Maureen is pregnant and her husband Eddie is missing. Nervous, Maureen shares a couple of drinks with neighbor Kiefer, who tries to rape her and then beats her. When Eddie returns and finds his wife bruised, he goes ballistic, shoots a paramedic and is put in a psychiatric institution. Ten years later, Eddie is released and finds that Maureen has divorced him and is remarried with three children, one of whom is his little girl Jeanie. Eddie goes to reclaim his wife
A roving bachelor gets saddled with three children and a wealth of trouble when the youngsters stumble upon a huge gold nugget. They join forces with two bumbling outlaws to fend off the greedy townspeople and soon find themselves facing a surly gang of sharpshooters.
In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood, Eisenstein soon falls under Mexico’s spell. Chaperoned by his guide Palomino Cañedo, the director opens up to his suppressed fears as he embraces a new world of sensual pleasures and possibilities that will shape the future of his art.
Young pilot Branson (Louis Koo) recently takes over Skylette, his father’s aviation empire, only to realise his old flames Cassie (Charmaine Sheh) is a flight attendant there. Several years ago, he was forced to break up with her and move to New York to take care of his father’s business. To this day, the two continue to harbour feelings for each other but decide to keep them bottled up. In an effort to rebrand the airline, Branson invites rock idol TM to star in an upcoming commercial and appoints Sam (Fransic Ng) as her flying consultant. Incongruent in both tastes and experience, this odd couple gets off on the wrong foot. As the shoot progresses, however, they slowly discover each other’s merits, developing a strong mutual attraction. Jayden (Julien Cheung) has left Skylette Airline to become a pilot for private jets. He meets the young and vivacious Kika (Kuo Tsai Chieh) during a flight and assumes her to be wayward and shallow…
A girl gets mixed up with a spy trying to clear his name. A chance encounter of the unassuming bank receptionist Harleen Sahni with the charming yet mysterious Rajveer Nanda, results in an on-rush of ditched planes, car chases, shoot-outs, bombing raids and general global mayhem. But as the transcontinental chase ensues with Rajveer convincing Harleen that he’s the good guy, can she really trust him, and will trust matter when the bullets start flying?
It’s not easy being a teenager and Mike, a sixteen-year-old, has it espcially hard. He lives in the sticks with his mother, a non-stop nagger, in Faintville, a Canadian timber industry town. He has no father, no friends, not even a favorite meal. Basically, his sole wish is simply to vanish from the face of the earth. One day, Mike writes his own obituary and shoots himself. To his great disappointment he wakes up the in the local hospital. During a routine examination, the doctors discover a plum-sized tumor in his brain. Mike can scarcely believe his luck and keeps the illness to himself to avoid undergoing surgery that would save him. Staring death directly in the eyes, however, changes Mike’s point of view and he re-evaluates his opinion of both enchanting and crazy Miranda. Somebody seems to understand him after all.
A man and his friends come up with an intricate and original plan to destroy two big weapons manufacturers. Avid movie-watcher and video store clerk Bazil has had his life all but ruined by weapons of war. His father was killed by a landmine in Morocco and one fateful night a stray bullet from a nearby shootout embeds itself in his skull, leaving him on the verge of instantaneous death. Losing his job and his home, Bazil wanders the streets until he meets Slammer, a pardoned convict who introduces him to a band of eccentric junkyard dealers including Calculator, a math expert and statistician, Buster, a record-holder in human cannonball feats, Tiny Pete, an artistic craftsman of automatons, and Elastic Girl, a sassy contortionist. When chance reveals to Bazil the two weapons manufacturers responsible for building the instruments of his destruction, he constructs a complex scheme for revenge that his newfound family is all too happy to help set in motion.
During Nazi occupation, red-headed Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”), assassins in the Danish resistance, take orders from Winther, who’s in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther’s using them to settle private scores, doubt sets in, complicated by Bent’s relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?
Celebrated European actor Sophie Bernard is in Montreal shooting a movie, and she’s taking the opportunity to visit her son Thomas in the hope of bridging the rift that’s grown between them. But Thomas has his own agenda for their time together; he intends to finally get some answers as to the identity of his father. Meanwhile, at Ville-Marie Hospital, paramedic Pierre struggles with PTSD, and though he has support in Marie, a nurse who keeps the overflowing emergency room running, it’s uncertain whether he’ll remain able to cope with the high intensity of his work. Each of these four characters is dealing with emotional damage — and on one dark Montreal night, their lives will all intersect in a fateful occurrence at Ville-Marie.
Once upon a time … Angie, an aging star reluctantly goes on one last shoot for a seedy Producer, on location, in an enchanting old cabin deep in the shadowy forest. While on the shoot the cast and crew encounter Henry, and his little sweet sister Patti, two strange and mysterious children who seem to live in the woods. A violent attack on the second evening of shooting sends Angie and the rest of the crew into a frighten frenzy. They lock themselves into their secluded cabin and find themselves trapped and surrounded by an unknown assailant. Could these two children be responsible for these vicious attacks?
During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom.
Two friends are invited for a weekend to a luxury island with their boss. The boss gets shot and nobody seems to notice, except for the two friends. In order not to become suspects of murder they treat the body as a puppet and make people believe he’s still alive. The killer wants to do his job so when he is informed that the stiff is still alive he’s got to shoot him again, and again, and again.
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr’s behest, they embark on a crime spree for cash. Subjects of a manhunt, they are tracked by police in the hills Tare enjoyed as a boy.
